Re: Matching raw colors to out of camera JPG
Posted: October 17th, 2022, 12:45 pm
I'm trying to grasp what adjustments, mostly in colour balance, make e.g. Fuji film simulations so distinctly recognizable (and to me pleasant)?
Not that long ago it was fairly easy to tell what slide film was used just by looking at the picture. The simulations are less distinct, I think, but still visually unique.
What I struggled with was not as much the desire to slavishly replicate the Fuji film looks - although that would also be nice - but proving to myself that I understand the image processing enough to be able to do that. I'm not sure if I do.
When using the reference values extracted from JPG produced similar output to using the the reference values that came with the target, where those two corrected RAW output images also similar in appearance to the actual off-camera JPG?
Not that long ago it was fairly easy to tell what slide film was used just by looking at the picture. The simulations are less distinct, I think, but still visually unique.
What I struggled with was not as much the desire to slavishly replicate the Fuji film looks - although that would also be nice - but proving to myself that I understand the image processing enough to be able to do that. I'm not sure if I do.
When using the reference values extracted from JPG produced similar output to using the the reference values that came with the target, where those two corrected RAW output images also similar in appearance to the actual off-camera JPG?